The original cabinet in the powder room was standard builder work. Though made of nice oak, it was just a box that hung on the wall. With the high ceiling, I always felt it should be a taller to draw the eye upwards.
Hubby made a box out of Aspen to mount on top of the existing cabinet. The carved work was recycled from an old vanity harp with very decorative moulding which I had bought years ago ($20), thinking I would make a shelf out of it. The edge of one piece of the molding was damaged so we used molding epoxy to shape the end piece.
The new box was attached to the wall, and molding trimwork used at the top and bottom of the old cabinet to make the unit appear as one.
Since the original cabinet had been stained and coated with a protective finish, it had to be sanded down to a point where all the old stain and varnish was completely broken and ready to receive paint. We goofed by not working hard enough at it and the first coat ended up peeling! DON’T SKIP SANDING AND PREPPING!
Danielle Hirsch (formerly of Color Splash) has a video here about cabinet doors. She recommends cleaning, sanding, (and on the show – not this video) priming with an oil-based as the first coat, covered with latex paint.
If you want a protective cover coat, and used latex paint, use a water-based poly (good) or water based varnish (better) – preferably applied with a paint sprayer. If you use an oil based over latex it will yellow the overall look. Oil based varnishes and poly’s also will yellow as they have a natural amber tint.
I apply latex paint with a foam roller designed for cabinet applications along with a 2″ inch bristle paint brush (to push into the crevices). I like the foam because it leaves no marks when you make the last pass.
In this case the undercoat color was Valspar Waverly Classics – Gull W38006A. The gray was lighter then I wanted the end product which was deliberate as I knew the glaze would darken it somewhat.
Thickly apply the Valspar’s Antiquing Glaze, a black glaze over an area you can work in about 15 minutes (dilute with their clear glaze for longer working time if you need more then 15 minutes) .
With a clean rag (cut up t-shirt), work the glaze into the crevices with a circular motion. The crevices is where you will want the glaze to remain so you remove the glaze from flat surfaces.
If you have removed too much glaze, just reapply with your paintbrush, working it back into the crevices.
The end wipe should be in the direction of the wood. For example the long sides were an even stroke all the way across; the short sides an even stroke. Match the wood grain with your strokes and lift off at the end so there is no end mark with your rag or brush (similar to dragging).
Once the second door is finished, the two doors are compared to make sure the glaze looks the same on both doors. That’s why it’s best to have one person to do the project, the amount of pressure, amount removed, will be more consistent.